Faculty and Staff
Department Chair/Scenic Design/Associate Professor
Shanklin Theatre 110
In 2015, Mr. Renschler was named the Chair of the UE Department of Theatre, after joining the faculty in 2008 as the scenic designer. He returned to his alma mater after nearly twenty years of working on Broadway, Off-Broadway, and on regional and international productions. His Broadway designs include scenery for Mamaloshen and As Long As You Both Shall Laugh (including a subsequent national tour and PBS special).| His Off-Broadway credits include designs at the New York Shakespeare Festival, Circle Repertory Company, Pan-Asian Repertory Theatre, Puerto Rican Traveling Theatre, and The Juilliard School. His regional design credits include Cincinnati Playhouse, Chautauqua Opera, Barrington Stage Company, Merrimack Repertory Theatre, Adirondack Theater Festival, Hangar Theatre, and Seattle Repertory Theatre.
As an associate designer, he worked on over forty Broadway shows, national tours, and international productions, including The Color Purple, Doubt, Chicago, Who's Afraid of Virginia Woolf, Footloose, Proof, Wonderful Town, The Redwood Curtain, and How the Grinch Stole Christmas.
The UE Institute for Global Enterprise named Mr. Renschler a 2011 Global Scholar Award-winner. He used his award to expand his experience in the international design arena with a year-long comparative study of national design aesthetics as exhibited through theatrical scenography. He is a board member for the Arts Council of Southwestern Indiana and a member of the Evansville Historic Preservation Committee.
He holds an MFA in Theatre Design from the University of Michigan and is a member of IATSE (International Alliance of Theatrical Stage Employees) and USA (United Scenic Artists).
R. Scott Lank
Artistic Director/Head of Acting/Professor
Hyde Hall 107
Mr. Lank has studied acting at The Actors Center, the New York Ensemble Studio Theatre, and HB Studios. His professional experience includes major positions as actor, director, and production manager at regional theatres across the nation including the Alley Theatre, Barter Theatre, Spoleto Festival USA, Chicago Lyric, Joffrey Ballet, and the Houston Shakespeare Festival. As a director, he has had three productions selected to appear in Washington, D.C., as part of the Kennedy Center/American College Theatre Festival.|
He is the recipient of teaching awards from the University of Evansville, Arts Council of Southwestern Indiana, and KC/ACTF. He serves on the board of the National Congress of Actors and Acting Teachers at the Actors Center and is active in developing curriculum/peer review for acting programs across the nation. Mr. Lank is the recipient of national grants in playwriting, having had his work developed at the Canadian Stage Company, Toledo Repertory Theatre, the Lark Theatre, Sewanee Writers’ Conference, and the Edward Albee Theatre Festival in Alaska.
Mr. Lank is a member of SDC (Stage Directors and Choreographers Society) and holds an MFA in Directing from the University of Nebraska.
Managing Director/Head of Theatre Management
Hyde Hall 112
Ms. Cowden has been the Head of the Theatre Management program at UE for over 15 years and coordinates the national recruiting efforts for the department and the marketing of the theatre season’s productions. At UE, she teaches Theatre Management and Principles of Arts Marketing, as well as independent studies in special topics within the field of arts management.|
She served as the Managing Director of Connecticut's Hartford Children's Theatre, Marketing Associate at Hartford Stage, and worked extensively for eight seasons with the Oklahoma Shakespearean Festival. She also served as the Audience Development Coordinator at the University of Oklahoma School of Drama for six years.
She is a graduate of Leadership Evansville and serves on the Integrated Marketing Communications Committee for the University. In addition, she is regularly asked by local organizations to make presentations on networking and business etiquette. Ms. Cowden serves on the board for The New Harmony Project.
Ms. Cowden has a BA from Southeastern Oklahoma State University and a MFA in Theatre Management from Wayne State University’s Hilberry Theatre in Detroit, Michigan.
John David Lutz
Shanklin Theatre 100 B
Mr. Lutz is the longest serving faculty member in the history of the University of Evansville. After serving as Department Chair for 31 years, he continues to teach courses in acting and directing.
His first play to direct as a member of the UE faculty was Tennessee Williams’ Summer and Smoke. He now has directed over 75 productions at UE. During UE’s 38 years of participating in KC/ACTF, 32 productions were invited to perform at regional festivals—with an 18-year uninterrupted streak of regional appearances. Mr. Lutz directed 24 of those 32 productions, and R. Scott Lank, directed the other eight. Additionally, eight UE productions were invited to the national festival, six directed by Mr. Lutz and two directed by Mr. Lank.|
In 2007, by special invitation, the UE production of The Comedy of Errors was one of the Kennedy Center’s contributions to the “Shakespeare in Washington” celebration. Lutz has also directed at regional theatres and the Off-Broadway premiere of Between Daylight and Boonville, by Matt Williams, a UE alumnus.
A few of his awards include: 1982 University of Evansville Medal of Honor, 1984 KCACTF Gold Medallion, 1987 Berger Award for Outstanding Creative Artist, 1994 Evansville Mayor’s Arts Award for Arts Educator of the Year, 1995 Indiana Governor’s Arts Award for Arts Educator of the Year, 2005 Arts Council of Southwestern Indiana’s Mayor’s Arts Award, 2007 induction into the College of Fellows of the American Theatre, 2012 KCACTF Outstanding Career Achievement in Directing, and 2014 University of Evansville Distinguished Alumnus of the Year.
Mr. Lutz graduated in 1964, from what was then called Evansville College. He earned an MA from the University of Denver and returned to UE in 1965 as an instructor and technical director. He later earned an MFA from the University of New Orleans.
Hyde Hall 122 B
Ms. McCrory has designed, worked, or taught at Indiana State University, the University of California Los Angeles Summer Intensive, Indiana Repertory Theatre, and the Alabama Shakespeare Festival. She regularly teaches at Harlaxton College in the summer. In 2008, she assisted Linda Cho and Ming Cho Lee at the Kennedy Center’s Summer Intensive titled The Collaborative Process: Designer/Director Process.|
As a regional committee member of the Kennedy Center/American College Theatre Festival, she travels to other participating colleges and universities, responding to their productions for inclusion in the regional Kennedy Center/American College Theatre Festival.
She is the recipient of numerous KC/ACTF awards including the 2004 KC/ACTF National Design Fellowship, the 2010 Region III Faculty Service Award for Indiana, and the 2011 Gold Medallion Award for extraordinary contributions to the teaching and producing of theatre. She was named the 2014 Educator of the Year by the Arts Council of Southwestern Indiana, and received the 2015 UE College of Arts and Sciences Dean’s Teaching Award.
Earlier in the decade, Ms. McCrory spent a month drawing at the Italia Accademia, in Florence, Italy, and she regularly has her drawings exhibited in area museums.
Ms. McCrory received a BA from the University of Alabama, Tuscaloosa, an MA from the University of California, Santa Barbara, and is a member of United Scenic Artists.
Technical Production/Stage Management/Professor
Shanklin Theatre 108
Mr. Meacham has worked in various capacities including as a master electrician, lighting designer, production manager and technical director with such organizations as the Utah Shakespeare Festival, Hope Summer Repertory Theatre, and the North Carolina Shakespeare Festival. He has been highly active with the United States Institute for Theatre Technology where he has served in the leadership of the Technical Production Commission since 2012. He is currently the Associate Commissioner for Technical Production with USITT.|
Mr. Meacham teaches classes in scenic production techniques (carpentry, welding, rigging, drafting) as well as sound design and production and stage management. Every fall, Mr. Meacham heads a team of design and technology faculty team-teaching a course on portfolio and career preparation for senior theatre students. He heads the stage management program and is the Production Manager for the Department of Theatre.
He received a BA in Theatre from Wake Forest University, after which he served there for two years as the Assistant Technical Director. He earned an MFA in Theatre Technology from the University of Illinois, Urbana-Champaign.
Speech and Voice/Acting/Associate Professor
Shanklin Theatre 100 C
Ms. Ward has performed professionally as an Equity actor at the Dallas Theatre Center and Stage #1 in Dallas, at Victory Gardens and Mary-Archie Theater in Chicago. She was an actor at the New Harmony Project for five years and originated roles in Mauritius by Teresa Rebeck, Mad City by Meredith Stiehm, and See Rock City and Gulf View Drive by Arlene Hutton.|
Ms. Ward serves each University of Evansville theatre production as Voice, Dialect and Text coach. She has done workshops with Cicely Berry, Catherine Fitzmaurice and David Smukler. She is currently training in Knight-Thompson speech work, which is rapidly becoming the standard in professional acting programs.
At UE, she teaches Voice and Speech, Dialects, Acting Shakespeare, Audition, Character Study, and Fundamentals of Acting. She has recently directed the classroom projects Elemenopea and August: Osage County. Ms. Ward has been honored with acknowledgement of meritorious work by the Kennedy Center American College Theatre Festival for her dialect work on Jekyll and Hyde, and her text work on The Comedy of Errors and The Winter’s Tale.
Ms. Ward received her MFA in Acting from the Meadows School of the Arts at Southern Methodist University. She is a member of Actors’ Equity Association and VASTA (Voice and Speech Trainers’ Association).
Theatre History and Criticism/Professor
Hyde Hall 122 A
Dr. Brewer teaches theatre history and dramatic criticism, serves as the department’s Resident Dramaturg, and directs text-based as well as ensemble-generated productions. An avid supporter of new plays, she has actively developed new work in venues such as Primary Stages, the Tofte Lake Center, The New Harmony Project, the Utah Shakespearean Company Plays in Progress, the Mark Taper Forum’s P.L.A.Y, and the University of Evansville. Her dramaturgy has earned published credits in Arlene Hutton’s See Rock City and Gulf View Drive.| She regularly dramaturgs for award- winning playwright Mark Rigney, whose plays, including Acts of God and Bears, have been produced in nineteen states and Canada. She is a founding ensemble member and performer with In the Mix, an Evansville-based company dedicated to the collaborative development of new work. Her work as a director is a featured subject in Deaf Side Story: Deaf Sharks, Hearing Jets and a Classic American Musical (Gallaudet University Press).
She has received the Dean’s Teaching Award from the University of Evansville and a Certificate of Merit for Dramaturgy from the Kennedy Center American College Theatre Festival. Her developmental initiative has generated grants for playwriting, dramaturgy, and directing from the Literary Managers and Dramaturgs of the Americas, the University of Evansville, and the Illinois Arts Council. Her published articles have appeared in The Dramaturgy Protocol, The Dramaturgy Sourcebook (vol. 4), Theatre Topics, PAJ: Performing Arts Journal, and HowlRound at the Center for Theater Commons.
She earned a BA from Tufts University and a PhD from UCLA. She is a member of the Literary Managers and Dramaturgs of the Americas and the Network of Ensemble Theatres.
Lighting Design/Assistant Professor
Shanklin Theatre 102
Mr. Boulmetis has experience in lighting design for television, fashion shows, cruise lines, theme parks, corporate events, and various architectural projects. His Broadway credits include Associate Lighting Designer for The Drowsy Chaperone, Assistant Lighting Designer for Ring of Fire, Whoopi, Old Aquaintance, Butley, Six Dance Lessons in Six Weeks, and Prymate.| He has worked at regional theatres such as Utah Shakespeare Festival, Williamstown Theatre Festival, Huntington Theatre Company, South Coast Repertory, American Repertory Theatre, and Westport Country Playhouse.
Mr. Boulmetis received a BFA from the University of Cincinnati–College Conservatory of Music, an MFA from Boston University, and is a member United Scenic Artists–Local 829.
Costume Shop Manager
Shanklin Theatre 207
Ms. Nelson has served as the costume shop manager and taught several costuming courses at the University of Evansville since 2002. Previously, she owned and operated Town Tailor, specializing in alterations, tailoring, and custom sewing for 20 years.|Also, she has worked for the Guthrie Theatre in Minneapolis, the Minnesota Opera, Chanhassen Dinner Theatre, Santa Fe Opera, Baltimore Opera, and Disney; she continues to spend her summers as a stitcher at The Santa Fe Opera and Guthrie Theatre.
Ms. Nelson has an AA in theatre and business from Austin Community College, a BA in family and consumer science from Mankato State University, and an MA in Design, Housing, and Apparel from the University of Minnesota in St. Paul.
Assistant Technical Director
Shanklin Theatre 108
Mr. Kaufman has worked as a freelance theatre technician for more than 20 years. His vast experience in technical theatre includes work as a grip, gaffer, lighting technician, stagehand, and audio technician. He also worked as Production Technician and Building Manager for Rainbow Communications. His work in the greater Evansville area includes projects for Old National Bank, AT&T, General Electric, and Citizen Bank.|
Mr. Kaufman received his BS in Theatre from Murray State University. He is a member of IATSE (International Alliance of Theatrical Stage Employees) Local–102.
Dance and Movement/Adjunct Instructor
Ms. Halbig began her dance training at the age of 3 and developed a love of ballet at The Ballet Center under the direction of Mark Bush in Evansville, IN. While there, she had the opportunity to perform in several ballet productions including The Nutcracker, Cinderella, Snow White, The Red Shoes and other Original Works.| It was during this time that she began integrating Pilates conditioning into her dance training, as well as attending a summer intensive worship with David Howard.
She began instructing students at Jan’s School of Dance after graduating from high school and while pursuing her B.S. in Mathematics from the University of Evansville. In 2011, she expanded her instruction to include several classes at Bob’s Gym in Evansville including Pilates, Group Centergy and Burn at the Barre. She continues to perform and choreograph with Legacy Dance Company in Evansville.
Theatre Education/Adjunct Instructor
Mr. Taylor teaches music and theatre at the Mt. Vernon Senior High School Fine Arts Academy in Mt. Vernon, Ind. In addition to teaching, he is the technical theatre editor for Dramatics Magazine and Teaching Theatre Journal.|
In 2011, he was named recipient of the Founder’s Award by the Educational Theatre Association and in 2014 received the Distinguished Achievement Award for Education by the United States Institute for Theatre Technology.
Mr. Taylor received his BME and MM degree from Indiana University.
Joseph P. Flauto
Before retiring in 2008, Mr. Flauto served as the department’s Scenic and Lighting Designer for 30 years. He played vital roles in the renovation of of Shanklin Theatre and the construction of the May Studio Theatre and shop expansions. Active in the Kennedy Center American College Theatre Festival for many years, he has had numerous designs appear at regional and national American College Theatre Festivals, including Anatomy of Gray, which was invited to appear at the Kennedy Center in Washington, DC. His set design for UE’s production of The Comedy of Errors was seen as part of the city-wide Shakespeare in Washington Festival in April of 2007.|
Since Mr. Flauto retired from UE, he has designed over a dozen productions, including sets for a production of Skin of Our Teeth at Hope College and costumes for a new play, Bud, Not Buddy at the University of Michigan-Flint.
Mr. Flauto is also active with UE as the President of Friends of Art, a Theatre Society member, and a member of a committee that organizes monthly lunches for the University’s Emeriti Faculty. He also continues to regularly teach at Harlaxton College in the summer.